Allthe Stunts in the James Bond Thriller “No Time To Die” Are Real. 1. The 2022 Mazda3 Turbo Is a Modern Sleeper. 2. Dodge's Charger Daytona SRT Is Electric Muscle. 3. FIA Rubber-Stamps F1 Withno time to lose, he picks the only car he can find, a Prado J90, and tries to get the two to safety. The Prado J90 is no longer sold in the U.S. according to Car and Driver, but its price in other countries shows it's very affordable, making it one of the cheapest cars that Bond has ever driven. With this choice, he goes way back too, since the car hit the market in 1996 at Bondfollows her onto a boat, knowing that she is a victim of sex trafficking and [has been] held prisoner by a terrible man. He has sex with her, No Time to Die,” the newest James Bond movie, opened as the No. 1 film in North American theaters this weekend but failed to top the pandemic-era opening weekend record set earlier this month. BillieEilish performed the song for the latest movie, "No Time to Die." Here are all the Bond songs ranked from worst to best. 25. "Spectre" - Sam Smith ("Writing's On The Wall") "Spectre." Columbia Pictures. Like the movie itself, Sam Smith's song is too slow-paced for the new age Bond fans who want their movies fast and thrilling. PREVIOUS FRIDAY UPDATE, writethru: Full numbers for Wednesday and Thursday show MGM/Eon/Universal’s James Bond pic No Time To Die at a cumulative $22M through two days of early release at the xO7w. In the opening sequence of the trailer for No Time To Die – the new Cary Joji Fukunaga-directed Bond film that is to be released in April of next year – Daniel Craig is shown wearing a beautifully cut, fudge-hued, single-breasted suit with a slate blue button-down shirt and a knitted midnight blue got to be honest, I enjoy a good Bond romp as much as the next man, but it’s not really my genre. Sure, this new instalment looks fun and action-packed, and Léa Seydoux remains a thoroughly modern Bond girl, but I’m more of a teary period drama and true crime doc kind of Century FoxThat being said, even I have noticed over the years that the Bond wardrobe department really pulls its weight. It’s not an overstatement to say that every time a new 007 film is released the subtle shifts in Craig’s wardrobe inspire a whole generation of men to dress a little bit Spectre he taught us how to wear black tailoring; in Skyfall he bossed the hunting jacket and scarf look; while in Casino Royale, well, in one stride of the leg and flex of the pec he legitimised baby blue budgie smugglers forever, which is no small Century FoxThe flash of suit that is revealed in this new trailer proves that Craig is about to set the bar all over first point worth noting is the subtle tonal and textural interplay between his shirt, jacket and tie. All the colours are complementary without being matchy matchy and the textures of the fabrics bring out the best in each other the subtle ruching of the tie against the crispness of the shirt, the brushed effect of the jacket against the smoothness of Craig’s 51-year-old 51 there’s the cut of that suit. The trousers are fitted close to the leg without being tight, while the jacket has enough structure in the shoulder to create breadth without looking grand-standy. It’s a feat of subtle tailoring short, this is the exact outfit you should wear to all those summer weddings you have coming up next year. Smart without being formal, elegant without looking try-hard – and totally warm weather appropriate – just be sure not to say anything like, “Shaken, not stirred” or “I’ve got no time to die, but plenty of time for a drink!” at any point, because you’ll ruin how to get the look yourselfThe suitSuit jacket by Brunello Cucinelli, £2,680. At The shirtThe tieThe bootsBoots by Ermenegildo Zegna, £670. At Now readNo Time To Die trailer we break down the best bits5 style lessons you can learn from Daniel CraigOur first look at James Bond’s No Time To Die and more details you need to know Listen and subscribe Apple Podcasts Spotify Stitcher Pocket CastsConceived in the 1950s and first put to film in 1962, James Bond is in many ways a relic of the past. A Cold War vision of white male fantasy, Bond has had to evolve over the franchise’s six decades, beyond the sexism and racism that marked the character’s influential early chapters. Now, with the release of No Time to Die and the end of the Daniel Craig era, the series is at a crossroads. Who will play the next Bond? But more important, what is James Bond going forward?On The Atlantic’s podcast The Review, our staff writers Sophie Gilbert, David Sims, and Shirley Li discuss No Time to Die and Bonds both future and past. The trio also share who they want the next Bond to be, why Q is Shirley’s underrated Bond king, and why David considers the Bond franchise “the most influential action movies ever made.”This episode was produced by Kevin Townsend and edited by following transcript contains spoilers for No Time to Die. It has been edited for length and Gilbert This movie was originally planned for a November 2019 release, and it has been billed as the savior of cinemas post-pandemic. What does Bond mean that he’s so big as a franchise that he is the character that can singlehandedly save cinema?David Sims As much as the box office has been rebounding and people are going to see movies, it’s mostly been movies that appeal to younger men. That’s been the demographic that came back first. And I like seeing the superhero movies, but Bond has famously always pulled every demographic. There’s a sort of eternal generational appeal for this almost-60-year-old Li We’ve become so attuned to what makes a Bond film a Bond film. I was listening to one of the [movie’s] writers talk about [how] you can just have a man walk in and gaze at a car. And in any other movie, that would not be a moment that would get the audience going. But in a Bond film, you kick in with the music and This is not any man; this is not any car. You can get an assured reaction from the audience, and I think that says it all about what Bond An eternal What were your hopes for this movie?Li I was really nervous going into this Bond, because I have loved the Daniel Craig movies. They billed this one as a swan song, so I wanted it to be emotionally satisfying. And I wanted everything I [always] want from a Bond film for it to feel classic, for it to be slick, for it to be tragic, and for it to feel big. And it delivered that for me on all fronts. I have my small nitpicks, but it felt like a prestige The thing that I didn’t know I wanted from it until I got it was a certain level of corniness. I’m an older Millennial, so I came of age with the Roger Moore Bond movies. The kind of ludicrousness of those has always been the defining Bond hallmark for me. And while I have loved the Craig series—the emotional arcs, the development of Bond, and the complication of the character—they have been fairly serious. Skyfall, especially, was pretty bleak. And in Spectre, everyone just seemed so what I loved from No Time to Die is that it seemed fun again. And silly! Like, very, very silly. There’s a giant evil lair in the middle of the ocean. There are henchmen, and stupid plots that make no sense, and weird people harvesting things with neon lights. I really enjoyed that the series finally was able to say, “Yes, we have fundamentally transformed this character. But at the same time, we are acknowledging and honoring some of the things that made you enjoy him in the first place.”Sims What I wanted from this movie, most of all, was a satisfying Bond finale for the character, which has never happened. Each actor in the role has exited on their worst movie Diamonds Are Forever, A View to a Kill, Die Another Day ... Usually, the actor would do one too many. They’d seem a little tired in the role and the formula would seem a little in need of a refresher. And that is what Spectre felt felt like they were overreaching with the serialization, which had been the hallmark of the Craig Bond. They were overreaching with this evolution of the character and Craig didn’t seem very into it, like you say. So my whole fear [was that] it’s just another goodbye to a good actor, but in a kind of lame way. And I don’t think this is a perfect movie, [but] I was mostly just happy that it seemed like everyone sort of came to this one with a little more enthusiasm for doing this a little more The thing I find so funny about Bond as a character, and maybe this is legend, but Ian Fleming reportedly wrote the character when he was about to get married to his pregnant girlfriend. And it was part of his freak-out because he was about to give away his independence, I guess. And so to satisfy his impulses, he wrote this lothario adventure Yes, he was this kind of quiet, retiring type. And Bond was his raging id. And Fleming was pretty upfront that Bond is not exactly He’s a fantasy. But the thing that’s so fascinating that you just mentioned He is a fantasy that people can universally enjoy. Like, he is this sort of white male fantasy, like, in the way that Bruce Springsteen is. But at the same time, your mom, David, is going to see this movie. And my mom is watching them, and we’re all enjoying them. So, what is it about this character? What are we drawn to?Sims It’s partly Daniel Craig. That’s certainly what drew my mother back to James Bond movies. Obviously she’s seen the Sean Connery movies, but she didn’t have much interest in Pierce Brosnan. But Daniel Craig’s whole fleshed-out actor-y take versus the familiar Bond was very intriguing, and I think it was intriguing to a lot of people. And obviously, starting with Casino Royale helps, because we actually have a starting point with this guy rather than him walking as the complete James Bond we’ve always known, which is usually how these movies would do movies usually have the fear that [after recasting] the guy, they need to make the audience feel comfortable that this is still Bond. It’s still the thing they like. He needs to walk in. He needs to say his name in a certain way. He needs to order the right drink. And the Craig movies kind of thumb their nose at that a little bit, and it was a really good gamble. The problem is, I don’t know what you do next, because you can only have the shock of that once. I don’t know what the next reboot can be. I guess it would be not casting a white person, but I don’t know if that’s what they’ll So in Britain, we love to gamble on who will be the next James Bond, and the odds are forever changing. The favorite right now is Tom Hardy, followed by James Norton, and then Regé-Jean I have a lot of opinions on British betting on James Bond. They always make the favorite someone who has a very similar profile to the current Bond. Tom Hardy would be another Daniel Craig type; casting a stouter, tougher guy with Oscar nominations and with a lot of credibility—that’s the Daniel Craig move. Hardy is probably a little a little old for it at this point, which is my guess why they won’t do Brosnan, Clive Owen was always seen as the next Bond. And then by the time they got around to it, he was a little old and they passed him over. And the whole time with the Daniel Craig, people have thought, Well, Idris Elba—there’s your next Bond. There’s your update for the series. And now Idris Elba is almost 50 and, again, did a perfect guy just sort of miss the window?Li The thing about Bond, though, is that it’s malleable enough that we can imagine all these different possibilities for him versus the other franchises, where it’s completely dependent on one person continuing, like Tom Cruise [in the Mission Impossible movies], or dependent on one-upping itself, like the Fast and Furious Well, my campaign is for Dev Oh hell think he is the right level of famous, where he’s famous but he’s not exactly going to overwhelm the role. He’s the right age. He’s a different choice, but he’s also so Do you guys think there is any chance that it will be Lashana Lynch, who plays Nomi in No Time to Die, 007’s replacement after Bond retired?Sims Maybe they’ll want to spin her off, but the whole continuity around Craig feels done. Ben Whishaw as Q, Ralph Fiennes as M, Naomi Harris as Moneypenny … It feels like they’re probably going to need to get rid of all of it because they killed James Bond in this movie! And so it would be tough to have another person walking into being, like, “Well, I’m James Bond.” They broke the unwritten Yeah, but Bond has always been in this parallel universe anyway, where Spectre is basically all of communism, and you have Sean Connery donning yellowface in You Only Live Twice. All of that now feels very dated, but what has continued is the way he presents himself. It’s the look, the charisma. This guy is cool and smart, but not a nerd. He uses gadgets. He drives cool cars. I think the biggest thing Hollywood took out of Bond was this avatar of masculinity, and you can’t talk about Bond without talking about the way the Bond girls were treated. And that was the challenge that these films And Daniel Craig has not been one of the more womanizing Bonds, but there is that scene in Skyfall that I really hate with Bérénice Marlohe’s character, Sévérine. Bond follows her onto a boat, knowing that she is a victim of sex trafficking and [has been] held prisoner by a terrible man. He has sex with her, and then the next day she gets shot and dies. That is sort of a canonical summary, like, This is what happens to women in Bond movies. It’s not good. It’s not progressive. It’s not nice. And I think the movies took a lot of flak for that and have not made that mistake And Craig himself has also come out and said that Bond is misogynistic. And Cary Joji Fukunaga, the director of No Time to Die, said the Sean Connery Bond was “basically” a We think a lot about the Bond movies and their influence upon each other. What has that influence been on Hollywood writ large?Sims I think they’re the most influential action movies ever made, especially From Russia with Love and Goldfinger, which are the second and third Connery movies, and the two sides of Bond movies. One is realistic and really a spy thriller with more character focus. Then the other is goofy and has lots of fun with gadgets, Oddjob, and lasers. Put that all together and that’s what people like about James Bond. They combine travel set pieces, innovative ways to choreograph fights, gunfire, and car chases. They sort of set the tone for how Hollywood made after Connery, the Bond movies have always sort of been playing catch-up. The first Moore movie is Live and Let Die, which is very inspired by blaxploitation movies. Moonraker was this response to Star Wars. For Your Eyes Only was them being like, “OK, no one liked Moonraker, too goofy. Let’s go back to basics.” [Then you have] Timothy Dalton, a darker Bond sort of influenced by Batman. Then with Pierce Brosnan, they have M call him a sexist dinosaur, but he basically behaves the same way as he always has. And then for the Craig movies, it’s, “Let’s make a more emotional Bond. Let’s make a Bond with a story. Let’s make a Bond who actually allows himself to be vulnerable by the end of his arc.” It’s this constant push and pull, and I don’t know what you give people One thing that I really loved about Casino Royale, more than anything else, is the relationship between Bond and Vesper. It’s so smoking hot. Their chemistry is insane—the scene when they’re in the shower together, which sounds dirty, but they’re fully clothed. She’s traumatized because she’s just seen him brutally murder a man. It’s just … They are such a fundamentally brilliant screen pairing in that they just smoke up the screen, and I think that made it a little harder to accept Madeleine Swann in later movies as the great love of Bond’s life. Because you and I, and maybe Bond too, cannot move on from It’s sort of hard to deny it. Léa Seydoux is a very, very talented and appealing actress. She does her best—and she and Craig have chemistry—but it’s tough to get over Eva Green is incredible, but I think the problem here was Spectre. Its introduction of Léa Seydoux as Madeleine Swann really hurt that character, and that was something that you could not get rid of. Compare the scene where she meets Bond versus the scene where Vesper meets Bond. [Spectre] just has this coldness. The character is supposed to be enigmatic, but in making her such a mystery, you don’t have this crackling chemistry right off the bat. And I think that really hurt that The other problem that Madeleine Swann has—and she had this problem in Spectre—is she’s so bound up in the plot of the film that a lot of the story stakes just have to run through her, much like last time, where she’s the daughter of a previous villain, Mr. White. A lot of her time on screen is invested in that business and so it’s just a little Talking about the chemistry, though, I did get more emotional watching Q say goodbye to Yes! This was one of my nitpicks with this Oh, say more!Li Q is my underrated Bond And do you mean Ben Whishaw as Q specifically, or do you mean the character?Li Ben Whishaw is wonderful. I do enjoy his performance, and I do think that going with a younger Q is a really great call, but I mean the character of Q. We leave Q’s final interaction with Bond cut short, and it ends with Q calling himself an idiot. I recognize this is a shallow dig. I just I want more from Q. Laughs.Gilbert Laughs. I think Cary Joji Fukunaga is still going to sleep at night, if that’s your Q was played by Desmond Llewelyn for basically a bajillion years. We all know who Q was. He endured through pretty much all the way to Brosnan. John Cleese took it for a brief and ill-advised moment, but let’s not talk about that. And then you have Ben Whishaw, who’s enormously overqualified for the role, obviously. He is a stratospheric British talent, and it’s kind of jarring to imagine Q as a real person, and not just someone who just sort of stands frozen in a lab until James Bond enters the room. And he’s like, “Alright, here’s how the watch works, you silly man.”Li Yeah, Sean Connery rolls his eyes at Q, this old nerd, and I just feel so much for Q. He leads Q Branch. He has to create all this crap for this This child. This overqualified He never brings the car back! Never, ever, ever brings the whole car The best Q bit is with Brosnan and the big sub Q is always the punch line. And they’ve developed this Q to a point where there’s so much emotion between these two characters, and you feel it. And then he calls himself an idiot. And I’m like, No, Q, you’re not an idiot. Anyway, that’s one of my nitpicks. My other one is not as would like to see future Bond films present villains who are not scarred so heavily that deformity becomes coded as villainy. That’s something that has certainly carried itself from the original films up to this point. We could really rethink the look of villains, so that they’re not just scarred and deformed and we code that as negative and A classical Ian Fleming trope. He loved a scarred villain. And I remember Christopher McQuarrie, who directed the recent Mission Impossible films, talking in an interview about one of his approaches to making those movies He goes to the trailer makers and asks what kind of imagery they want that would sell this movie. He’ll crowbar it into the film and then get to do whatever he wants around it. And they would give him things like a woman’s leg coming out of a car and a villain with a facial deformity, things like that. It’s this shorthand that is baked into spy movies that might be good to move And there are shorthands baked into Bond movies we’ve moved past before. I mentioned the yellowface of You Only Live It’s so insane. And it’s so insane in You Only Live Twice because it’s racist, but also … it’s supposed to work? Sean Connery is supposed to be plausibly Japanese? What?Li And the films have also moved past when he forces himself onto Pussy Galore in Goldfinger, who is supposed to be a lesbian, and who the book contends he “converts.” And so the films have moved beyond these awful tropes of the past, but somehow villains still must have facial Something new this movie did was its ultimate revelation that not only is Madeleine Swann the great love of Bond’s life; she is also the mother of his child. And it did seem kind of ironic and fitting that this character who has so mistreated women in the past now very fleetingly gets to know that he has a daughter. David, you and I both had daughters in the past 18 months, and for most of the movie, I was laughing, thinking about all the ways that my daughter would absolutely screw up Remi Malek’s Japanese The daughter’s best moments are her dropping her toy and never shutting up about it, and that weird moment where she’s like, “Do you think mosquitoes have brothers?” or whatever. Initially you’re wondering if this is going to tie into the plot, but then you realize, No, this is just realistic child-nonsense whole thing with giving an enduring character like this a kid is it’s basically never going to go over that well with the die-hard fans. Because the character has to stay the same. When they gave Superman a kid in Superman Returns, that wasn’t popular either. But the real problem is, to me, it just sort of signals that this is a one-off. We’re not going to have another James Bond movie where he drops his kid off at day care and is like, “Okay, I’m off to Azerbaijan.” It just wouldn’t work. I don’t mind the point of it all, which is to deepen this character, but she’s a little bit of a story The moment when I realized that he was absolutely going to die at the end of this movie was the moment when Rami Malek crushes the vial of … I’m sorry, we haven’t even gotten into the sighs nanobots...Li Laughs.Gilbert … in his hands that were tailored to his DNA, thus cursing Bond to never be able to touch or even kiss the love of his life and his child. That was the moment when it really seemed like, Okay, this is over, because there’s no coming back from that. This orphan who has apparently longed in his heart for a family has now found them and had them ripped from him within the space of about half an hour. I think it gave it a nice poetic finality for me. Welcome to SPECTRE etc. This is the James Bond podcast where we discuss the ins and the outs of each film. In this episode, we return to the safety of EON films so the Broccoli Family can Roger us one Moore time as we Walk-ento “A View to a Kill”. * The pre-titles sequence is pre-empted by a legal disclaimer that strangely fails to warn the viewer about the upcoming Beach Boys sound-a-like. * Q and Bond discuss microchips as they try to avoid kicking a Floor-Droid. Moneypenny has disposed of Penelope Smallbone, and she is overjoyed to be invited to join the boys at the races. Tibbett yes, MI6 have an equine expert also attends. * Tibbett suggests Bond head to France to learn more about Zorin - the owner of a winning horse - so Bond is off to the Eiffel Tower! There he meets an incredibly French investigator. May Day kills Frenchie, and forces Bond to steal a car from an even Frencher guy - sacre bleu! * Bond and Tibbett head to Zorin’s chateau, disguised as a Lord and his manservant. They “pull a Kananga” in order to sneak around - discovering Zorin’s vials and microchips and henchmen. A couple of test tubes is all Bond needs to join the dots on Zorin’s horse-cheating. * Bond makes a move on Mayday, and - presumably as an act of revenge - Mayday kills Tibbett. After a little horseplay, Zorin tries to drown 007, but a tired Bond is saved by his prehensile tongue. * Zorin’s blimp arrives at San Francisco, with Bond mystifyingly close behind. James tries to buy some crabs, but ends up with just a steaming cup of exposition. After 007 sifts through this information, he decides to sneak up on Stacey in the shower. * Bond uses an a-SALT rifle to save Stacey, before whisking her eggs. A quick trip to City Hall reveals Zorin’s genius does not extend to naming Operations. Nevertheless, Zorin is able to find enough rum to give Bond and Stacey a hot shaft. * Bond and Stacey escape the flames, and are forced into a silly slapstick subplot involving San Francisco’s stupidest police. James hijacks one of Zorin’s trucks, allowing he and Stacey to sneak into the mine. * Zorin goes a bit mental, killing most of his henchmen. Bond saves Stacey, and then works with May Day to prevent Zorin’s master plan from coming to fruition. Enraged, Zorin uses his getaway-blimp to sneak up on Stacey, but Bond is able to hang from a rope - just as the film’s credibility hangs by a thread. * Bond uses this rope to tie the blimp to some bridge, before throwing a flaccid Zorin into the Bay. Dr. Monocle tries to detonate Bond, but James is able to kill the remaining bad guys with their own bomb. * Bond receives the Order of Lenin but misses the ceremony. Once Roger realises that MI6 sent Q to see Bond shower, he throws in the towel. And of course, keep checking back for a link to our petition to have “The Spy Who Loved Me” officially registered as the best film of Roger’s reign. 28 에피소드 Daniel Craig’s stint as iconic British spy James Bond has officially come to a close. With No Time To Die going strong in theaters, longtime fans of the franchise have their sights set on the future of 007. Craig has held the role for a whopping 15 years and his exit from the franchise leaves a glaring hole. Although the star has expressed some humorous bitterness toward the person who will inevitably take over the role, Craig now has some rather blunt advice for the would-be producers are still adamant about not being too concerned over choosing the next 007, Daniel Craig is not shying away about speaking out to his successor. In an appearance on Kevin Hart’s podcast, Straight From the Hart, the actor seems to pull from that mostly faux bitterness and give some pretty straightforward advice for whoever takes over the reign of the 007 franchise. Here is the actor’s blunt first piece of adviceThere’s a couple of things I’d say, but I mean, one is don’t be simply saying “don’t suck”, albeit in a more bluntly Brit way, doesn’t seem like advice at all rather than an obvious given, the fan-favorite star does go on to give some warmer words to the person who will eventually take over his iconic role. In the same interview, he says his real advice would be the next actor to truly take the role and put their own unique stamp on it. Here it is in his own wordsI would say you’ve got to grab it and make it your own. I think that’s the way to go forward. I mean, I just committed myself to it as much as I possibly could and tried to sort of elevate it as much as I could. I hope I’ve left it in a good place and I hope the next person can just make it fly. It’s an amazing franchise, I still think there’s a lot of stories to Craig is certainly beloved as 007, but surprisingly it wasn’t always that way. There were plenty of criticisms aimed at his casting in the beginning, but he proved them all wrong once audiences were actually able to see him on screen. It would seem that his advice is sound, seeing as he certainly was able to make his version of Bond one that is unique to him And needless to say, it still stands out as a stellar addition to the James Bond role is still very much up for grabs but, hopefully, whoever ends up with the title can get value from their predecessor's experience-backed words of wisdom. Until the next era of 007 gets underway, you can still check out No Time To Die in theaters now as it is not available to stream at this time. Constantly thinking about books, coffee, and the existential dread I feel from Bo Burnham’s Inside. While writing I’m also raising a chaotic toddler, who may or may not have picked up personality traits from watching one too many episodes of Trailer Park Boys. Crafted from an opulent blend of superfine merino wool and cashmere, this military-inspired James Bond Navy Army Sweater is worn by Bond in No Time To Die. The special release design is part of the limited edition 007 Cashmere Collection created by British cashmere experts Modelling its design on British military commando sweaters, N. Peal developed the 007 Ribbed Army Sweater with No Time To Die costume designer Suttirat Anne Larlarb. “We wanted to give Bond a unique look in specific scenes of the film. And yet the piece had to be action-ready. It needed to be a strong silhouette, something that harks back to his military past and which also had a timeless quality to it as well.” Backstory. Seen in action sequences of the No Time To Die film, the sweater also appears in the trailer and poster. 007 has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when old CIA friend Felix Leiter turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. Details. Beautifully breathable and comfortable against the skin, this piece is made from 90% superfine merino wool blended with 10% cashmere. The flat rib military-inspired design features tonal canvas patches on the shoulders, cuffs and elbows. A distinctive boat-style neck has corded drawstring pulls, consistent with maritime clothing - reflecting Bond’s close association with the Royal Navy. Perfectly finished with an 007 stitched label and exclusive swing ticket, your sweater also features a commemorative No Time To Die logo label. Handwash in warm water. Size guide. This will help you to determine which size to order for a slim fit - if you prefer a more relaxed fit, size up. XS. Chest 93cm/ length S. Chest - 98cm/ length 64cm/25" M. Chest 103cm/ length L. Chest 108cm/ , length 67cm/ XL. Chest 113cm/ length XXL. Chest 118cm/ length 70cm/

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